Show Notes:
This week, Cameron dives into the poetry of Vsevolod Nekrasov, joined by Bela Shayevich and Ainsley Morse who collected and translated works spanning much of his life in I Live I See: Selected Poems.
Born in the USSR in 1934 and writing—mostly unofficially—through the end of his life in 2009 now in the Russian Federation, Vsevolod Nekrasov’s work is largely minimalist and deploys repetition like a musical motif. Some works span pages, while others are no more than a word reflecting itself. His work demands to be read aloud, to a crowd or even just one person.
Ainsley Morse is an associate professor in UC San Diego’s department of literature. She’s a scholar of 20th and 21st century literature and culture of the post-war Soviet period, particularly unofficial or “underground” poetry, as well as the avant-garde, children's literature and contemporary poetry. She also translates from Russian, Ukrainian, and Bosnian-Serbian-Croatian.
Bela Shayevich is a Soviet American writer and translator. She is best known for her translation of 2015 Nobel laureate Svetlana Alexi-ye-vich’s Secondhand Time, for which she was awarded the TA First Translation Prize. She has also translated Yevgeny Zamyatin’s We. Her writing has appeared in n+1, Jewish Currents, and Harper’s Magazine. She teaches in the Department of Translation at the University of Iowa.
Major themes: Repetition, Making words mean something, visual poetry
1:36:40 - Elena Kostyuchenko’s I Love Russia
1:37:10 - Ludmilla Petrushevskaya, The Art of Fiction No. 267
1:39:40 - Goat Song by Konstantin Vaginov
The music used in this episode was “Старое Кино / Staroye Kino,” by Перемотка / Peremotka. You can find more of their work on Bandcamp and Youtube.
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